La forma 19<\/p>\n
La forma 19 e’ stata creata da Chen Xiaowang qualche anno fa per andare incontro alle esigenze dei principianti. Come per le altre forme dello stile Chen pu\u00f2 essere praticata adottando posizioni basse, medie o alte. Essa e’ divisa in 4 sezione (nella tabella in basso riportiamo i nomi in cinese dei movimenti, la loro traduzione in inglese ed anche la suddivisione in numeri per ciascun movimento, quest’ultima suddivisione \u00e8 funzionale alla didattica e puo’ essere modificata. La forma 19 contiene movimenti che provengono dalla laojia yilu, dalla xinjia yilu ed anche dalla xiaojia (lo small frame). <\/p>\n
| \n Movimento<\/strong><\/div>\n<\/td>\n \n | Nome in cinese<\/strong><\/div>\n<\/td>\n \n | Nome in Inglese<\/strong><\/div>\n<\/td>\n \n | Numeri<\/strong><\/div>\n<\/td>\n<\/tr>\n <\/td>\n | \n | Prima sezione<\/strong><\/em><\/div>\n<\/td>\n <\/td>\n | <\/td>\n<\/tr>\n | \n | 1<\/div>\n<\/td>\n \n | yu bei shi<\/div>\n<\/td>\n \n | Beginning the Form<\/div>\n<\/td>\n \n | 5<\/div>\n<\/td>\n<\/tr>\n \n | 2<\/div>\n<\/td>\n \n | jin gang chu miao<\/div>\n<\/td>\n \n | Buddha’s Warrior Exits the Temple<\/div>\n<\/td>\n \n | 7<\/div>\n<\/td>\n<\/tr>\n \n | 3<\/div>\n<\/td>\n \n | lan zha yi<\/div>\n<\/td>\n \n | Lazy About Tying Coat<\/div>\n<\/td>\n \n | 4<\/div>\n<\/td>\n<\/tr>\n \n | 4<\/div>\n<\/td>\n \n | shang bu xie xing<\/div>\n<\/td>\n \n | Stepping by Walking Obliquely<\/div>\n<\/td>\n \n | 9<\/div>\n<\/td>\n<\/tr>\n \n | 5<\/div>\n<\/td>\n \n | shan san bu<\/div>\n<\/td>\n \n | Stepping Three Steps<\/div>\n<\/td>\n \n | 5<\/div>\n<\/td>\n<\/tr>\n \n | 6<\/div>\n<\/td>\n \n | zou yan shou hong quan<\/div>\n<\/td>\n \n | Hidden Hand Punch Right<\/div>\n<\/td>\n \n | 2<\/div>\n<\/td>\n<\/tr>\n \n | 7<\/div>\n<\/td>\n \n | liu feng si bi<\/div>\n<\/td>\n \n | Six Sealings, Four Closings<\/div>\n<\/td>\n \n | 4<\/div>\n<\/td>\n<\/tr>\n <\/td>\n | \n | Seconda sezione<\/em><\/strong><\/div>\n<\/td>\n <\/td>\n | <\/td>\n<\/tr>\n | \n | 8<\/div>\n<\/td>\n \n | dao juan hong<\/div>\n<\/td>\n \n | Whirling Upper Arms<\/div>\n<\/td>\n \n | 9<\/div>\n<\/td>\n<\/tr>\n \n | 9<\/div>\n<\/td>\n \n | shan tong bei<\/div>\n<\/td>\n \n | Flashing the Back<\/div>\n<\/td>\n \n | 3<\/div>\n<\/td>\n<\/tr>\n \n | 10<\/div>\n<\/td>\n \n | you yan shou hong quan<\/div>\n<\/td>\n \n | Hidden Hand Punch Right<\/div>\n<\/td>\n \n | 2<\/div>\n<\/td>\n<\/tr>\n \n | 11<\/div>\n<\/td>\n \n | liu feng si bi<\/div>\n<\/td>\n \n | Six Sealings, Four Closings<\/div>\n<\/td>\n \n | 5<\/div>\n<\/td>\n<\/tr>\n <\/td>\n | \n | Terza Sezione<\/em><\/strong><\/div>\n<\/td>\n <\/td>\n | <\/td>\n<\/tr>\n | \n | 12<\/div>\n<\/td>\n \n | yun shou<\/div>\n<\/td>\n \n | Cloud Hands<\/div>\n<\/td>\n \n | 7<\/div>\n<\/td>\n<\/tr>\n \n | 13<\/div>\n<\/td>\n \n | gao tan ma<\/div>\n<\/td>\n \n | High Pat on Horse<\/div>\n<\/td>\n \n | 4<\/div>\n<\/td>\n<\/tr>\n \n | 14<\/div>\n<\/td>\n \n | you deng yi gen<\/div>\n<\/td>\n \n | Kick with Heel Right<\/div>\n<\/td>\n \n | 5<\/div>\n<\/td>\n<\/tr>\n \n | 15<\/div>\n<\/td>\n \n | zou deng yi gen<\/div>\n<\/td>\n \n | Kick with Heel Left<\/div>\n<\/td>\n \n | 3<\/div>\n<\/td>\n<\/tr>\n <\/td>\n | \n | Quarta Sezione<\/em><\/strong><\/div>\n<\/td>\n <\/td>\n | <\/td>\n<\/tr>\n | \n | 16<\/div>\n<\/td>\n \n | ye ma fen zong<\/div>\n<\/td>\n \n | Part the Wild Horse’s Mane<\/div>\n<\/td>\n \n | 7<\/div>\n<\/td>\n<\/tr>\n \n | 17<\/div>\n<\/td>\n \n | yu nu chuan suo<\/div>\n<\/td>\n \n | Jade Maiden Works Shuttles<\/div>\n<\/td>\n \n | 7<\/div>\n<\/td>\n<\/tr>\n \n | 18<\/div>\n<\/td>\n \n | jin gang dao shui<\/div>\n<\/td>\n \n | Jade Maiden Works Shuttles<\/div>\n<\/td>\n \n | 4<\/div>\n<\/td>\n<\/tr>\n \n | 19<\/div>\n<\/td>\n \n | shou shi<\/div>\n<\/td>\n \n | Closing<\/div>\n<\/td>\n \n | 5<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":" La forma 19 La forma 19 e’ stata creata da Chen Xiaowang qualche anno fa per andare incontro alle esigenze dei principianti. Come per le altre forme dello stile Chen pu\u00f2 essere praticata adottando posizioni basse, medie o alte. Essa e’ divisa in 4 sezione (nella tabella in basso riportiamo i nomi in cinese dei… <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-121","post","type-post","status-publish","format-standard","hentry","category-blogspot"],"_links":{"self":[{"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=\/wp\/v2\/posts\/121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=121"}],"version-history":[{"count":0,"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=\/wp\/v2\/posts\/121\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chentaiji.it\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |